Monday, August 29, 2011

A Rebuttal: Bryan Ward-Perkins Defends the Fall of Rome


Did Rome really Fall? Having an interest in history doesn't make one an all knowing sage on the topic and I was startled to learn the other day that there is a school of thought that claims that Rome did not fall, but was actually "transformed" by the Germanic invasions - or perhaps the more PC term would be Migrations. I am new to the argument and was unaware that Rome did anything but topple, until I read The Fall of Rome and the End of Civilization, by Bryan Ward-Perkins. Interestingly, this is a book that backs up my own prior view, but in so doing, takes on the "new wisdom."

The following is a review of Ward-Perkins' book that I wrote for class. Comments welcome.

Bryon Ward-Perkins, The Fall of Rome and the End of Civilization. New York: Oxford University Press, 2005.

Everyone loves a good tragedy and there are few subjects more tragic that the fall from majesty. Such is the mystique of Ancient Rome, whose decline has filled countless minds and as many written volumes with visions of marbled colonnades, the ground shaking tramp of drilled soldiery, and thundering oratories voiced in a language fit for the gods. Here enters a new addition to the list of those volumes. With the tantalizing title, The Fall of Rome and the End of Civilization, author Bryan Ward-Perkins offers a dialogue on the causes of the crumbling of one of the world’s greatest empires, written and presented in straightforward prose that accomplish a multifold purpose: to educate the casual reader, to engage the history student, and to challenge the opposing party. For The Fall of Rome is not merely a book of history, it is an interpretation, an explicitly stated counter to the recent academic opinion that, in the face of Germanic migrations, Rome merely changed faces with little accompanying unrest or discomfort. In a witty and evenly-paced rebuttal Ward-Perkins deftly lays out a series of arguments that seek to prove that Rome did indeed fall, and that it fell hard, mixing records from the ancients with evidence gleaned from the latest archeology to form a compelling argument for barbarian invasion. The result is not a narrative, but a piece-by-piece dismemberment of the “accommodation” theory of the transformation of Rome.

An archeologist by training, Ward-Perkins was born in Rome to an archeologist father and grew up around the science, often helping with the movement and disposal of pottering shards. Pursuing Italian archeology as an adult, he now teaches as Trinity College in Oxford and has lent his skills as an editor to The Cambridge Ancient History. Ward-Perkins’ interest is in the transition of Rome, so his is a worthy voice to join the conversation about whether or not Rome did fall.

The Fall of Rome presents a reactionary argument against the new wisdom of the Germanic invasions. According to Ward-Perkins, the argument of the new school, prominent in recent decades, is that Rome gently transitioned from a state of Empire into a state of Germanic kingdoms, characterized by a “vibrant religious and cultural debate”(4). The new school has looked for a much more positive picture of the period, eliminating uncomfortable words like “decay,” “decline” and “crisis” – which, Ward-Perkins points out, carry the connotation of blame – and replacing them with the congratulatory “transition,” “change,” and “transformation.” Taking the argument a step further, one of the scholars of the new wisdom, Walter Goffart, has challenged the very idea of “invasions.” He argued that, rather that keep them out, the Romans decided to allow the barbarians within the imperial borders, granting them land and a share in the taxes. More than that, Goffart claimed that the “accommodation” followed a Roman plan of action, since the Romans used their own administrations and institutions to engage and govern the Germans, though he admits with good-natured humor that the fall of Rome was “an imaginative experiment that got a little out of hand”(9). Ward-Perkins sets about correcting the gross inaccuracy in a sweeping examination of the evidence that is a very readable 187 pages long.

The book kicks off with a pair of clear two-page-spread maps that illustrate the author’s claim as well as any written thesis. The first is a familiar depiction of the Empire at its height in 400 AD, its dashed borders reaching from Hadrian’s Wall in northern Britain to the upper cataracts of the Egyptian Nile, and from the foothills of the Caucasus mountains at the far end of the Black Sea to the deserts of Africa just south of the Pillars of Hercules. All of the provinces are neatly labeled while another dashed line divides the Empire as per the orders of Diocletian. The second map is stark in its contrast; the borders of the eastern empire remain intact, but the entire west has been deleted, all that remain are scattered labels declaring the presence of sundry Germanic tribes that came to call the regions home. It is chillingly dated 500 AD. Without even a sentence past the preface, the author draws in the curious reader with the near pressing need to know why. Ward-Perkins is more than happy to explain.

As would any reasonable historian, Ward-Perkins devotes several chapters to historical accounts of the fall of Rome. Respectable contemporary resources are consulted, such as Ammianus, Cassiodorus, Procopius, and Salvian, as well as letters, laws, and chronicles. Modern scholarship also figures heavily, such as books (Ancient Literacy by W.V. Harris), articles (Atlante delle forme ceramiche), and compilations (including Ward-Perkins’ own, Cambridge Ancient History, xiv.). Here it is shown that, despite his opponents’ best intents, the historical accounts alone prove that the transition from Rome to Medieval Europe was somewhat more uncomfortable than mutual accommodation. In his analysis Ward-Perkins does a fine job of trying to see both sides, allowing for Roman arrogance and for the barbarians’ simple desire for a better life. Most – if perhaps not all – of the barbarians are presented as more interested in claiming a place in, or the whole of, the Roman Empire for themselves. Unfortunately, through their actions the barbarians brought about the decline and fall of the empire, thus crushing the very society they wished to make their own.

In the second half of his work, Ward-Perkins devotes his energies to examining the archeological record of the late Roman era. Not surprisingly, his strongest argument – and perhaps his lengthiest treatment of any one subject – comes in the form of his near and dear Roman potsherds. These are apparently of such abundance as to be considered boring by archeologists. Familiar with the medium since childhood, he explains how the level of sophistication and distribution of potsherds across the known world shows the complexity of the society enjoyed by the Romans. Similarly, the data related to coin circulation, tiled roofs throughout most Italian demographics, and appreciable literacy all suggest that the economy and sophistication of society was booming to a near modern degree in Late Antiquity Rome. By contrast, the nearly stone-aged potsherds of post-Rome Europe, the disappearance of tiled roofs, and the declining coin, to say nothing of royal illiteracy, all point to a decline in sophisticated society, leaving the once “modern” land a depleted, even fractured, stone-aged mess, not at all the sort of mutually beneficial future envisioned by Goffart and his ilk.

Where Ward-Perkins runs into trouble is in exploring his speculative evidence. The first case is his use of “metallic pollution” to estimate that there was a great deal of smelting in the Roman world. The measurements are made possible by the snowfall of the sub-arctic collecting materials from the air and then depositing said materials in the ice as the new layer of snow freezes over. Such evidence is certainly worth investigation, but it remains unclear as to whether interpretations of the evidence and the data gleaned from any computer models related to the research are reliable. Where the potsherds could be identified through labels, stamps, and circumstantial evidence, such as their surroundings when discovered, the layering of ice leaves no craftsman’s device. Similarly does the argument for population decline suddenly lose force when the bones from a “Roman” cow suggest that it was more nourished and therefore fatter than both its predecessors and descendants. What evidence is there that the cow discovered was not an especially robust breed, or the best amongst its fellows, or that it was even Roman for that matter? The reader may be enjoined to rely upon archeological expertise on this issue, but the claim suffers from the same uncertainties that might be applied to the polluted ice flows.

If The Fall of Rome enjoys the measure of success as the works of Goffart and his party, then the history of barbarian invasions may be back on its feet. Ward-Perkins has a commanding and satirical voice that lends credibility to his assertions, both when he challenges the opposition and when he allows for positives arisen from their work. But if Ward-Perkins has made one great error – his cyclopean cattle and icecaps aside – it is in failing to point out the crucial sub-text of his own argument: just as the brutality of various American Indians has sometimes been mollified to fit into a politically correct mold, so too has Goffart exonerated the Germanic invaders of all guilt. The claim that the Romans experimented in accommodation, with unexpected and ironic results, removes blame for the destruction of a civilization from the barbarians and places it firmly in the Romans’ hands. Whether he knows it or not, Ward-Perkins has penned a winning argument against the political correction of the fall of Rome.


Sunday, May 1, 2011

Ten Things I Have Learned From Watching Dr. Who (up through Season 3)

1. Female sidekicks get progressively hotter/cooler in proportion to the Doctor’s Awesome factor (Rose Tyler = Lois Lane; Donna Noble = Hermione Granger; Martha Jones = Vesper Lynd from Casino Royale).

2. Although it is insinuated that sidekicks can be acquired anywhere (The Girl in the Fireplace, The Family of Blood), the only permanent ones come from the 20th/21st centuries (Rose Tyler, Martha Jones, Sarah Jane).

3. The Doctor may have great fun saving the universe while we are watching, but behind the scenes he has great fun just hanging out (Rose mentions heading to medieval Japan and traveling to Raxacoricofallapatorius, and the two are seen several times having great fun throughout the abominable Love and Monsters).

4. The American accent will continue in use until at least the 51st century, while the British accent will endure until the end of Time.

5. Although pacifism will triumph in the end, many innocent lives will be sacrificed in the process. This is best shown in the two-part Human Nature and Family of Blood where there are at least seven deaths and one heartbreak all because the Doctor decided to be kind and outrun the miss-guided and miss-understood aliens rather than kill them when he had the chance to do so in the opening credits. On a similar note, Torchwood may be kick-awesome, but they are bad people for using force to defend earth.

6. Russell T. Davies thinks he is writing Dr. Who by focusing on goofy scifi (Love and Monsters, World War Three, Doomsday), but Steven Moffat brings out the real world with his creepy mysteries (The Empty Child, The Girl in the Fireplace, Blink).

7. The Doctor is the only cool Time Lord (which might be an unfair observation, since The Master is the only other one I’ve seen).

8. The Time Lords and the Guardians of the Universe share common cultural roots, judging from their art and architecture.

9. Americans are both arrogant and (sometimes) religious.

10. The Fourth Wall can be broken. Not only does the Doctor address the audience at the end of Blink, but we also share in the adventure by saving Sally Sparrow and her mates on multiple occasions by "seeing" the Weeping Angels when she has her back to them (several times they are seen reaching out or peeking from windows even when she does not notice, yet because we are watching, they cannot move).

Thursday, April 28, 2011

An excerpt

So I obviously like reading, so it should not be surprising that I like writing as well. And it just also happens that I am working on several books, one of which is circulating amongst some agents even now (huzzah). The following is an excerpt from another book that I've started and hope to develop over the summer, once I've got more hours to devote to it.

Sunday, April 17, 2011

The Literary Life



While reading Making A Literary Life by Carolyn See, I was exhorted through the text to diligently write 1,000 words every day for the rest of my life. This illustrates how I'm going about that task.

Sunday, April 10, 2011

Sunday, March 27, 2011

Readings

This is a quickie entry on some stuff I'm reading for fun.

Picked up a book by Grace Lin called The Year of the Dog, about the life of a Chinese-American girl. It's entertaining, with bits of Chinese and culture thrown in. Though fiction (?) it appears to be somewhat autobiographical. I'm especially looking forward to the sample Chinese legends in back, though being the good reader that I am, I've decided to put them off until I read the whole book - wait, upon further inspection, that section is, in fact, a sneak-peek at the sequel, The Year of the Rat. But there is a Chinese legend tossed in, perhaps told by the main character's mother. That's how the story is written, with other stories and asides mixed in!

For my other bit of fun, I turned back to my mainstay for literary-ness, C.S. Lewis. I recently received The Pilgrim's Regress as a gift and, seeing the invitingly short chapters, decided to give it a whirl. Lewis never disappoints! 'Tis the tale of Lewis' own conversion to Christianity and is, naturally, witty to the core. Though written in his usually sarcastic and clever style, Lewis invokes The Pilgrim's Progress' manner of naming people and things, from Mr. Humanist to the wishy-washy Mr. Halfways, and the harrowing Reason to old Wisdom. If I remember, though, Mr. Bunyan was pretty clear with his characterization and his prose, and by contrast I find myself creeping and stumbling along with Lewis this time. Most of the book is easy to follow, though the purpose to Mr. Neo-Angular and the lengthy discourses with Wisdom threw me off a bit. I'm told that Lewis wrote this hastily after being dragged "kicking and screaming into the kingdom" and that he later regretted not taking his time. If that is the case, I can understand where some of the allegory and biblical apology might have gotten bogged down.

But no matter. Lewis is Lewis and where else can you read the line, "But Gugly made no reply, for Gugly could not talk, owing to an accident in infancy." Brilliant!

Tuesday, January 25, 2011

America - by Orson Scott Card

I'm not really one for "native" stories, you know the sort of Dances With Wolves scenarios where the noble savage steps out of the jungle to teach stumbling, bumbling Joe White Bloke that his ways are evil and embracing the jungle is his only hope. Disney's Pocahontas, anyone?

But when I read Card's America, I found it to be a refreshing look at the genre. Without giving away any spoilers, the story is basically that the feathered serpent of Aztec myth shall return and clean the corruption of the Europeans - here referring to all whites - from the Americas. Many stereotypes do appear, such as reference to the money-grubbing North Americans and the pipes running into the earth to suck out the oil like a leech - though I had to wonder, "is the oil vital to the ecosystem, exactly?" But I digress. Poverty and filth as seen on the news contrasts with the lifestyle of the male protagonist, but curiously, it is the indian woman he encounters who has all the prejudices. He wants to help, she resents his heritage. And when he protests that he is not European, she corrects him, saying that only the indians count as Americans.

That theme struck me as the most interesting - the idea that one's identity must be tied up in one's cultural past. And why not? I can't deny my own heritage any more than I can deny the color of my own skin. But fascinatingly, Card does not really take sides. In the world of the story, it eventually becomes unfashionable to be "European," but the boy finds that, though he embraces the change brought by the feathered serpent - coming in the form of an indian Messiah with his all-conquering armies driving out those whites who won't assimilate - the boy still resents the change for stealing his identity.

So one must ask the question: at what point have the "invaders" become natives?